Standard Story Company

The big filmmaking lesson working at Netflix taught me

This issue is about control, and how needing to do everything my way has often held me back.

So if you’re anything like me, hopefully this email will open your mind to better ways to work in this collaborative medium…

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🔒 Control Freak

For years, this is what making a film looked like to me:

👉 I had to write every script (or at least re-write someone else’s).

👉 I had to come up with every shot.

👉 I had to manage every logistical detail of the production.

👉 I had to do the whole edit.

While this approach gave me total creative authority, it slowed me down, stressed me out, and ultimately hurt the quality of my work.

Besides that, I’ve noticed that my peers who DIDN’T clutch onto that kind of control, ended up going further, faster.

Here’s why…

🚀 Speed

Trying to do everything yourself slows you down immensely. For example, trying to light a single night scene by yourself can quickly become a nightmare.

Having your DP light it with their grip and gaffer? There’s just no comparison.

“But it’s expensive to hire crew” – yeah I know… But at a certain point it’s expensive not to.

When you’re wearing multiple hats on a film, even if you save money or time in the short-term, over the long run the ultimate cost is fewer films, slower growth, and missed opportunities.

While I was stuck in the editing bay, or trying to write my next film, my peers could grab one of their friends’ scripts and start shooting their next project immediately, while another friend was busy editing their last film.

If you focus on building a network of collaborators, even unskilled ones, you may move slower at first – but this is a clear tortoise vs hare race.

A novice team’s combined effort outpaces what you could accomplish solo every day of the week, and that advantage grows exponentially over time as their skills increase.

Even if your crew is less skilled than you in their respective roles, you’re better off. Why?

Speed usually matters more than perfection.

Speaking of which…

🎨 Quality

Here’s the brutal truth: When you micromanage, you limit the potential of your film.

I used to show up to set with my own rigid shot list, leaving little room for my DP’s creativity.

It’s the equivalent of giving actors a line reading: you reduce their role on your project to that of a parrot. And instead of enhancing your vision, the best they can perform is now limited to the best you can read the line.

When you collaborate the right way—which means empowering your team with context instead of control—you create an environment where everyone knows what the goal is, and they can all bring their best ideas to the table.

This was actually one of the key principles of managing people when I was working with Netflix:

They're all solid ideas honestly.

Directing is like being a conductor. You don’t play every instrument; you ensure every player works in harmony to create something extraordinary.

🎉 Fun

This one’s the kicker. Even if you can justify taking on every role in terms of speed or quality, how enjoyable is the process?

When I’ve made films with little to no crew, I’ve felt overwhelmed, anxious, and desperate for it to be over. The more responsibilities on my shoulders, the more stressful the process became.

My last short film, Witchfish, was one of the smallest films I’ve made in years, and I shot the whole thing in my house… but that thing was HARD to make because I didn’t bring on a crew.

Contrast that with my current project, The Lost Fortune of Oliver Brody. This is one of the most ambitious films I’ve ever worked on, but so far it has also been the most fun.

Why? Because this is a team project, and I have no allusions that the success or failure of the film is all going to come down to me.

Oliver Brody Pre-prod meeting
One of our weekly Oliver Brody pre-production meetings

Having a team to share ideas with and execute plans has made the project feel exciting instead of terrifying.

And at the end of the day, filmmaking should add energy to your life, not suck the life-force from your soul.

💡 Are You Holding Too Tightly?

If your project feels slow, looks subpar, or leaves you stressed, it’s time for some self-reflection:

  • Are you taking on too many roles?
  • Are you empowering your collaborators to do their best work?
  • Or are you still micromanaging, trying to control everything?

Let go. Delegate. Trust your team.

If you don’t have one, find one.

If you can’t find one, make one.

That’s how you finally lose that butt-clenching tension from trying to make everything perfect.

And what you’ll gain is better films, faster timelines, and the joy that comes from true collaboration.

Favorites this week:

🎙️ Podcast: Team Deakins

Roger Deakins, celebrated cinematographer of way too many of your favorite films (like Shawshank Redemption, No Country For Old Men, Bladerunner 2049, Prisoners, etc) hosts this podcast with his wife & collaborator, James Deakins.

Not sure how I only recently discovered this one, tons of insights from this humble master of the craft. I loved listening to this episode about how he shot one of my favorites, The Assasination of Jesse James.

💬 Quote

“People confuse ‘pretty’ with good cinematography.”Roger Deakins

Let’s make some movies.

-Kent

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